Common elements.
Poets have used villanelles for a variety of subjects, but all good villanelles have two things in common. First, villanelles have strong opening tercets, with the first and third lines providing a two-barreled refrain. They also gradually build in tone and intensity from one stanza to the next. The works of Dylan Thomas, Edward Arlington Robinson, Sylvia Plath, and Elizabeth Bishop exemplify the villanelle form.
|
|