The sonnet reigns supreme.
The sonnet reigns as the most popular and adaptable of poetic forms. No fewer than 20 variations of the 14-line form have been published since Salvatore di Giacomo first banded together two quatrains and two tercets. Some curtail to 10 lines (Curtal Sonnets), others expand to 16 lines, and still others close with half-lines. Many people find that the most enjoyable way to read the form is the Crown of Sonnets, consisting of seven sonnets in which the last line of one serves as the opening line of the next; John Donne’s Holy Sonnets is a prime example of this type of construction.
While there is a wide variety of sonnet adaptations, six variations are the most prominent: Petrarchan, Curtal, Spenserian, Shakespearean, Miltonic, and terza rima.
Petrarchan sonnet.
Francesco Petrarch refined the earliest Sicilian sonnet forms of two fused quatrains and two fused tercets into an ababcdcd-efefgg rhyme scheme, with 10 syllables per line, and defined sonnet writing for more than two centuries. Sir Thomas Wyatt brought it to England, but William Shakespeare shepherded the Petrarchan form into the limelight.
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Curtal sonnet.
The 10-line, two-stanza Curtal Sonnet actually pre-dated the Petrarchan form, but was only used by the more masterful structural poets. A good example is embedded within the 29 movements of Dante’s La Vita Nuova.
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Spenserian sonnet.
The first poet known to modify Petarch’s form, Sir Edmund Spenser kept the structure but introduced an abab-bcbc-cdcd-ee rhyme scheme.
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Shakespearean sonnet.
Shakespeare refined Petrarch’s form by blending the 14 lines together and, like Spenser, creating a less obvious division of lines. However, Shakespeare modified the rhyme scheme into abab-cdcd-efef-gg.
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Miltonic sonnet.
In an effort to bring the sonnet back into vogue after a half-century lull, John Milton used an 8-line/6-line format and simplified the rhyme scheme into abbaabba-cdcdcd, which many Romantic poets later adopted for their larger works.
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Terza rima sonnet.
Another original creation of Dante, the terza rima sonnet is a rare but superb form that blends four quatrains and a rhyming couplet with a terza rima rhyme scheme. The most noteworthy example is in one of Percy Bysshe Shelley’s most famous poems, "Ode to the West Wind."
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