van Gogh's letters - unabridged and annotated
 
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18721891

 84 letters relate to art - technique...Excerpt length: shorter longer  
Letter from Vincent van Gogh to Theo van Gogh
(c. 11 January 1883)
... I assure you. I did some more of him. Today I drew one with lithographic crayon. Then I threw a pail of water on the drawing, and in that moistness I began to model with pencil. If it succeeds, one gets very delicate tones; but it is a dangerous method, which may turn out badly. But if it succeeds, the result is quite “non ébarbé” - delicate tones of black which most resemble an etching. I also did a woman's head this way, standing out against the light, so the whole is in tone, with highlights on the profile, etc. Did you receive the second roll with five heads sent from here, I think, on the fifth or sixth of January? It was the third roll mailed to you. When you have looked at them for some time, I think you will find the same thing in them as in the first two, for there must be something of nature in them, as I literally wrested them from nature and worked after the model from beginning to end. I am very anxious to show you the studies...
Letter from Vincent van Gogh to Theo van Gogh
(3 February 1883)
... here on the Schenkweg; but it's rotten. I also drew a few figures with crayon which I think are better. Not just with crayon, but the whole thing sponged, and the shadows softened, the lights intensified.
Letter from Vincent van Gogh to Anthon van Rappard
(4 February 1883)
... cutting his bread is a failure [F 1663, JH 272]. When I transferred it to the stone the upper half got all blurred - I have been able to remedy the worst part with the scraper. Yet you will see that there are things in it which prove one can work vigorously with this process and express the nature of materials, as for instance the basket, the trousers and the muddy boots. And though at first I thought it a sorry abortion, I have become somewhat reconciled to it since then, and if I were to start over again, I should do it in the same vigorous way - with a background. I remember reading in Herkomer's biography 3 how in his early days (when that incident with the rough sketch of “Sunday at Chelsea Hospital” occurred) he did his utmost to find among the artists of that time men who would be willing to do types from the people too. Then he found Gregory, who started out by doing sketches of the Franco-German War (“Paris under the Red Flag” - I did not know...
Letter from Vincent van Gogh to Anthon van Rappard
(c. 27 February 1883)
... left, and I have no time to do it better. What can you see from it? - (1) what kind of paper it is; (2) on which side you must draw; (3) what kinds of things one can do on it - but the autographic ink is treacherous. Sometimes the transferring succeeds quite well, but at other times the ink runs (for the drawing is wetted before it is laid face down on the grained stone, and then run through the press to be printed). So it may happen that the ink starts running, and in that case you get nothing but a black blot instead of your drawing. All the same it can be done - and the important thing is that you can retouch the drawing with ink on the stone itself.
Letter from Vincent van Gogh to Anthon van Rappard
(c. 5 March 1883)
... of the sketch of the tools. ] The scraper I used has this form: I got it at Smulders's - [illegible] called a point - to scratch hair with, for instance, only for light fine scratches like those an etching needle makes, but which turn out white on the black surface. It goes without saying that you - [illegible] can use all kinds of implements as scrapers; the shape doesn't matter - now and then I scrape with my pocket-knife. What am I paying for my proofs? ? - he promised to state a fixed price, as well as the prices for printing and for the stones. The prices that I paid provisionally do not count; as the printer himself was not familiar with the method, we have compounded the matter - and also because there were failures, etc. I shall get estimates from Smulders, however, that will be rather important to know, but he will have to calculate them at his leisure. The fact is that he will give me the prices of the stones in various sizes, if taken by the dozen, and also...

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