van Gogh's letters - unabridged and annotated
 
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18721891

 14 letters relate to feelings - despair...Excerpt length: shorter longer  
Letter from Vincent van Gogh to Theo van Gogh
(22 July 1883)
... feels miserable against one's will. And now I thought, I am sorry that I didn't fall ill and die in the Borinage that time, instead of taking up painting, for I am only a burden to you. And yet I cannot help it, for one must go through many phases to become a good painter, and what one makes in the meantime is not exactly bad if one tries one's utmost; but there ought to be people who see it in the light of its tendency and objective, and who do not ask the impossible. Things are looking dark right now. If it were only for me, but there is the thought of the woman and the children, poor creatures whom one would keep safe, and feels responsible for. The woman has been doing well recently. I cannot talk about it with them, but for myself it became too much today. Work is the only remedy; if that does not help, one breaks down. And you see the trouble is that the possibility of working depends on selling the work, for there are expenses - the more ...
Letter from Vincent van Gogh to Theo van Gogh
(c. 26 September 1883)
... enough that we must give it up?” Oh, boy, I am so melancholy - I am in a splendid country, I want to work, I absolutely need it - at the same time, I am absolutely at a loss as to how to overcome the difficulties, when I think that all my things are in a most miserable condition, and that I am here without a studio or anything, and shall be handicapped on all sides until I can mend matters. The models refuse to pose when there are other people around, and that is the main reason why a studio is necessary. I now have the very same feeling I had when I started a studio in The Hague: “If I don't do it now, I shall never be able to manage.” And as for The Hague, I am not sorry I acted then as I did; I only wish that I had come here a year and a half sooner, and had started a studio here instead of back there. Father wrote to ask if he could help me, but I have kept my cares to myself, and I hope that you too will not mention it to Father. Father...
Letter from Vincent van Gogh to Theo van Gogh
(c. 14 August 1888)
... you. I am sure she will enjoy herself. It is a gloomy enough prospect to have to say to myself that perhaps the painting I am doing will never be of any value whatever. If it was worth what it cost to do, I could say, “I never bothered my head about money.” But as things are, on the contrary it absorbs me. But there it is, and anyhow I must go on and try to do better. Very often I think that it would be wiser to go to Gauguin, instead of recommending the life here to him. I am so afraid that after all he will complain of having been upset. Would it really be possible for us to live at home here, and could we make both ends meet, seeing that it is a new experiment? We can figure what it would cost in Brittany, whereas I haven't the slightest idea about here. I still find life pretty expensive, and you don't get anywhere complaining to the people here. Beds and some furniture would have to be bought here, and then there would be the cost of his journey and...
Letter from Vincent van Gogh to Theo van Gogh
(c. 29 August 1888)
... still life of an old pair of shoes . I have heaps of ideas for my work, and if I go on with figure painting very industriously, I may possibly find more. But what's the use? Sometimes I feel too feeble to fight against existing circumstances, and I should have to be cleverer and richer and younger to win. Fortunately for me, I do not hanker after victory any more, and all that I seek in painting is a way to make life bearable. Still no reply from Russell. He can't have a penny just now. I hope our sister has seen the Luxembourg again by now. We have had two or three perfect days here, very hot and no wind. The grapes are beginning to ripen, but I hear that they will not be good. I must work again today. I have qualms about the last days of this week, because of those models. I am negotiating with some other people to pose for me. There is something always driving me on to do as many figure studies as ever I can. In the future things may well...
Letter from Vincent van Gogh to Theo van Gogh
(30 April 1889)
... saltpeter were oozing from the walls. That was a blow to me, since not only the studio had come to grief, but even the studies that would have been reminders of it. It is all so final, and my urge to found something very simple but lasting was so strong. I was fighting a losing battle, or rather it was weakness of character on my part, for I am left with feelings of deep remorse about it, difficult to describe. I think that was the reason I cried out so much during the attacks - I wanted to defend myself and couldn't do it. For it was not to me, it was precisely to painters such as the poor wretch about whom the enclosed article speaks that the studio could have been of use. In fact, we had several predecessors. Bruyas at Montpellier gave a whole fortune to that, a whole life, and without the slightest apparent result. Yes - a chilly room in the municipal gallery where you can see a troubled face and many fine pictures, where you certainly feel moved, but, alas,...

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