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Pigments through the Ages - Medieval Age (500-1400) Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Medieval Age (500-1400) Medieval Age (500-1400) Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Painting techniques Egg tempera painting, in which the pigment was mixed with water and egg before application, was well established by the 13th century. The dried protein remaining after the water evaporated bound the pigment to the ... http://www.webexhibits.org/pigments/intro/medieval.html · 13.1k |
Pigments through the Ages - Overview - Green earth Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Green earth Green earth / green erth / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Green earth. Brief description of Green earth: Natural green pigment varying in compostion and in shades of color. It has low hiding power but is unaffected by light or chemicals. Green earth is a mixture of hydrosilicate of Fe, Mg, Al, K, (mainly minerals as celadonite and glauconite) but ... http://www.webexhibits.org/pigments/indiv/overview/greenearth.html · 14.8k |
Pigments through the Ages - Overview - Cobalt yellow Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt yellow Cobalt yellow / ko • bawlt yel • low / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Cobalt yellow. Brief description of Cobalt yellow: An expensive yellow that was briefly in vogue. It is of very pure yellow color and is lightfast but has only fair hiding power. Introduced as a pigment in 1852, it replaced an earlier pigment called Gamboge, an Asian yellow ... http://www.webexhibits.org/pigments/indiv/overview/coyellow.html · 15.0k |
Pigments through the Ages - Manufacture Recipes - Egyptian blue Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Egyptian blue Egyptian blue / n/a / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details How Egyptian blue is made: Origin: artificial identical with the mineral cuprorivaite (at Mineralogy Database) King Ramses III. (1170 B.C.) The blue helmet with golden serpent is the symbol of royalty Artificial variety of pigment Heating a mixture of a calcium compound (carbonate, sulfate or hydroxide), ... http://www.webexhibits.org/pigments/indiv/recipe/egyptblue.html · 14.2k |
Pigments through the Ages - Overview - Realgar Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Realgar Realgar / ree • al • gar / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Brief description of Realgar: Red orange natural pigment closely related to the yellow orpiment. The two minerals are often found in the same deposits. Although it occurs perhaps as widely in nature as orpiment, realgar appears not to have been used so widely. Realgar is a highly toxic arsenic sulfide and was ... http://www.webexhibits.org/pigments/indiv/overview/realgar.html · 15.4k |
Pigments through the Ages - Overview - Prussian blue Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Prussian blue Prussian blue / pruh • shun bloo / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Prussian blue. Brief description of Prussian blue: Dark blue, called the first of the modern pigments. It has very high tinting strength but is only fairly permanent to light and air. It's an Iron-hexacyanoferrate accidentally formed while experimenting with the oxidation of iron ... http://www.webexhibits.org/pigments/indiv/overview/prussblue.html · 15.5k |
Pigments through the Ages - Overview - Cerulean blue Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cerulean blue Cerulean blue / suh • roo • lee • uhn bloo / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Cerulean blue. Brief description of Cerulean blue: It's a cobalt stannate which was introduce as a pigment in the 1860s. Very stable and lightfast greenish blue with limited hiding power. Cerulean blue has a fairly true blue (not greenish or purplish) but it doesn't ... http://www.webexhibits.org/pigments/indiv/overview/ceruleanblue.html · 15.3k |
Pigments through the Ages - Manufacture Recipes - Smalt Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Smalt Smalt / smalt / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details How Smalt is made: Artificial variety of pigment The cobalt ore was roasted and the cobalt oxide obtained was melted together with quartz and potash or added to molten glass. When poured into cold water, the blue melt disintegrated into particles, and there were ground in water mills and elutriated. Several grades of smalt ... http://www.webexhibits.org/pigments/indiv/recipe/smalt.html · 17.5k |
Pigments through the Ages - History - Cobalt blue Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt blue Cobalt blue / ko • bawlt bloo / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Cobalt blue: Although smalt, a pigment made from cobalt blue glass has been known at least since the Middle Ages, the cobalt blue established in the nineteenth century was a greatly improved one. The isolation of the blue color of smalt was discovered in the first half of the eighteenth ... http://www.webexhibits.org/pigments/indiv/history/coblue.html · 11.5k |
Pigments through the Ages - Overview - Chrome orange Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Chrome orange Chrome orange / krome are • inj / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Chrome orange. Brief description of Chrome orange: Chrome orange is a basic lead chromate which was introduce as a pigment in 1809. The color of the pigment can range from light to deep orange, the hiding power is excellent. The world production of chrome orange ceased few years ... http://www.webexhibits.org/pigments/indiv/overview/crorange.html · 15.2k |
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