Dear Theo,
You remember that night at Dordrecht when we walked together
through the town, around the Great Church and through so many
streets, and along the canals - in which the old houses and the
lights from the windows were reflected? You spoke then about
the description of a day in London by Théophile Gautier,
the coachman for a wedding party in front of the door of a
church on a stormy foggy day: I saw it all before me. If that
struck you, you will also appreciate the pages I enclose.
[Lamartine's Cromwell. Vincent copied three full pages,
part of which is added to this letter.] I read them on a very
stormy day last week: it was in the evening, and the sunset
threw a ruddy glow on the gray evening clouds, against which
the masts of the ships and the row of old houses and trees
stood out; and everything was reflected in the water, and the
sky threw a strange light on the black earth, on the green
grass with daisies and buttercups, and on the hushes of white
and purple lilacs, and on the elderberry bushes of the garden
in the yard.
In London I had read that book of Lamartine's, and I was
very much struck by it; the last pages especially made a deep
impression on me again. Tell me what you think of it.
Were you in Etten Sunday? I certainly hope so, and that you
had a pleasant day. I gathered this from a sentence in the last
letter from Etten, “We expect Theo probably next
Sunday.”
This evening I have to go to Uncle Stricker's. Went to early
service yesterday morning, heard a sermon on the text:
“Do you want to be healthy?” - how they that be
whole need not a physician, but they that are sick. After that
I heard Uncle Stricker in the well-known Amstel Church on II
Cor. 4: I 8: For the things which are seen are temporal; but
the things which are not seen are eternal.
Toward the end there was a passage in which he spoke with
much rapture and exclaimed, “But love remains”; how
we are tied together by God with bonds that are in His hand,
and in them lies our strength, for they are old and do not
easily break.
I am very busy, so à Dieu; perhaps I will continue
this letter tonight, a handshake from
Your loving brother,
Vincent
Today when I passed the flower market on the Singel, I saw
something very pretty. A peasant was standing selling a whole
bunch of pots with all kinds of flowers and plants; ivy was
behind it, and his little girl was sitting between it all, such
a child as Maris would have painted, so simple in her little
black bonnet, and with a pair of bright, smiling eyes. She was
knitting; the man praised his ware - and if I could have spared
the money I should have liked only too well to buy some - and
he said, pointing unintentionally at his little daughter also,
“Doesn't it look pretty?”
5 June
Yesterday evening I was at Stricker's. M. M., who is engaged
to Paul, was also there; she reminds me of Ellen in The Wide,
Wide World. Her father was a very clever clergyman, an
extraordinary man, an intimate friend of Uncle Stricker's. We
walked along the Buitenkant and the embankment near the East
railway. I cannot describe to you how beautiful it was there in
the twilight. Rembrandt, Michel and others have sometimes
painted it: the ground dark, the sky still lit by the glow of
the setting sun, the row of houses and steeples against it,
lights in the windows everywhere, and the whole mirrored in the
water. And the people and the carriages like little black
figures, such as one sees sometimes in a Rembrandt. We were so
struck by the beauty of it that we began to talk about many
things.
I sat up writing late last night and was up again early this
morning, it was such beautiful weather. At night there is also
a beautiful view of the yard; everything is dead quiet then,
and the lamps are burning and the starlit sky is over it
all.
“When all sounds cease, God's voice is heard under the
stars.”
Write me soon and tell me if that part about Cromwell isn't
taken from the very heart of London.
Youth of Cromwell [Quoted in French]
The family soon lost its wealth. He retired to a small
estate he possessed amidst the marshes of Huntingdon. The
barren, rough and morose character of this shore district, the
monotonous horizon, the muddy river, the clouded skies, the
meager trees, the infrequent cottages, the rude habits of the
inhabitants, were such as to make the young man's nature
concentrated and gloomy. The soul of a land seems to enter into
that of man. Often a lively, ardent and profound faith seems to
emanate from a poor and dismal country; like country, like man.
The soul is a mirror before it becomes a home.
One domestic grief overtook Cromwell, touching him deeply in
this period of growing ascendancy in his life; one is
astonished to see tears in the eyes of a man who had watched,
dry-eyed, the unfortunate Charles I being torn from the arms of
his children to die. He lost his ninety-four-year-old
mother…
At this time, Vincent was 24 year oldSource: Vincent van Gogh. Letter to Theo van Gogh. Written 4-5 June 1877 in Amsterdam. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, number 100. URL: https://www.webexhibits.org/vangogh/letter/6/100.htm.
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